Congratulations Milo!
Alexei Sayle Book Launch and Signing
Saturday 11th September 2010, 2.00pm
96 Bold St, Liverpool, L1 4HY - 0151 708 7270
Alexei Sayle has fittingly chosen to launch his brand new autobiography, Stalin Ate My Homework (Sceptre £20 HB) at News from Nowhere, one of the few radical bookshops in the country.
As a child of Liverpool Communists growing up in Anfield, Alexei was destined to be different. He was born on the day egg rationing came to an end. His family ate salad and read the Soviet Weekly. They holidayed behind the Iron Curtain and ate strange smelling sausages. His mother was very keen on boiled eggs and the Moscow State Circus. Teachers were scared of her. His father was a union leader who made friends wherever he went and thought he was fluent in Esperanto. Alexei became a member of the Czechoslovakian Young Pioneers. Sometimes he was bored and other times confused. He spent a lot of time inventing complex explanations for the bizarre behaviour of grown-ups. Slowly it dawned on him that telling stories was a good way of making sense of his perplexing world.
Luckily for us, for in this story of his own bizarre childhood he has given us his best writing yet. And it’s hilarious.
All will be welcomed in the true spirit of Communism, refreshments will be provided for weary travellers on the path to peace and justice, and Alexei will adorn the book with his signature if you buy one.
A £2 News from Nowhere voucher (redeemable against future purchases) will accompany every book bought on the day.
Further information: Mandy Vere, News from Nowhere Bookshop (0151 708 7270 mandy@newsfromnowhere.org.uk)
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Click here to read a review on our blog of Alexei’s book by Frank Cottrell Boyce.
The Reader 39: From Dog to God
The Everything Issue!
For this quarter’s issue of The Reader magazine, you’ll find everything – from dog to God – including contributions from some very famous names: The Wire‘s Sonja Sohn, acclaimed authors Salley Vickers and Clare Allan, the marvellous David Constantine and many, many more…
Featured inside:
- An interview with Sonja Sohn – star of the acclaimed television drama The Wire and co-founder of the Baltimore charity Rewired for Change
- Clare Allan – author of Poppy Shakespeare – investigates the genetic make-up of her dog, Meg
- Fiction by Salley Vickers and Stanley Middleton
- Poetry from David Constantine and Angela Leighton
- and we couldn’t have everything without all the fantastic features and competitions you’d expect from your quarterly dose of Reader goodness.
Alikewise
After Romeo and Juliet last weekend, love is floating around the air in The Reader Organisation office (and, I am led to believe, at Croxteth Fire Station). So it seems rather timely that I came across Alikewise this morning.
Alikewise is a dating website that is based on your book tastes: anything from cooking to climbing to Shakespeare to poetry. In their words, “we think we can find others who would like to talk to you”. I haven’t tried to find love on it (not sure that my boyfriend would be too happy about that), so I can’t vouch for its claim but it may be a bit of fun for any lonely readers out there and if nothing else, you may pick up a good reading recommendation.
Romeo and Juliet Set the Fire Station Alight
This report is from Kev Higgins, Merseyside Community Theatre’s Media Assistant
Four performances, three long days of technical and dress rehearsals, three weeks of hard rehearsals, two weeks of auditions, five months of outreach and advertising, and many difficult decisions later, we had Romeo and Juliet at the Fire Station. The Merseyside Community Theatre production ran from Thursday 26th to Saturday 28th August 2010 and was enjoyed by hundreds of people at each show.
This, from Catherine Jones at the Liverpool Echo, goes some way to explain the wonders of the theatrical set at the Croxteth Fire Station:
Set designer Olivia du Monceau makes inventive use of the site, turning outbuildings into the Capulet Cavern and cafe, a curtain-sided lorry into Friar Laurence’s (Caoim Eaves) cell, and a hanger into a party venue where the young cast put on an entertaining rendition of Michael Jackson’s ‘Thriller’ routine as Romeo meets Juliet over the fruit punch.
Through the dedication of the production crew and the time the cast has given up in order to take part, we have created something we can be very proud of. There are so many great memories I will take away from this project, and many many more to come flooding back once we start releasing photographs and video.
Talking of photographs and video… we have a lot! There are hundreds of photographs we will be releasing over the coming days and weeks on our media pages, and to follow, the complete play on DVD from The Reader Organisation.
Thank you to all involved in making this project happen, and to our cast and crew as without their performances and knowledge, none of this would have taken place.
Featured Poem: A Little While by Emily Bronte
The summer season is nearing its end; schools, colleges and universities will soon be back in session and before long, leaves will be turning gorgeous shades of orange and yellow and tumbling from the trees. It’s a shame that the temperatures haven’t soared as much as we might have expected – although asking for a ‘barbecue summer’ that stretched beyond a few afternoons may have been just a tad optimistic – but perhaps we can hope for a sun drenched end-of-summer bank holiday (well, there is a first time for everything; even sun on a bank holiday). It would be something of a bonus, especially as this is the last long weekend we can enjoy until the jingle bells of Christmas have played (apologies for mentioning that particular season so prematurely, although I have witnessed cards appearing in the shops and Christmas catalogues dropping on the doorstep already, so perhaps I’m not too far off the mark).
This week’s featured poem is particularly suitable for the last opportunity we have in a little while – funnily enough, the very title of the poem – to take time out and escape from work, endless tasks, looming deadlines and the general everyday routine. It is clear by reading this, and indeed many of her poems, that Emily Bronte had a free spirited and highly creative nature – on writing a preface to a selection of her sister’s poetry, Charlotte Bronte stated “Liberty was the breath of Emily’s nostrils; without it, she perished.” Even if she could not always venture far from her most immediate surroundings, Emily seemed to have an innate drive to explore and experience nature, to escape from her ‘weary’ and ‘heavy’ tasks to a world altogether brimming with bright, unclouded days, distant, dreamy, dim-blue chains and dream-like charm (just that language is enough to transport you to such distant lands).
A Little While was penned in December 1838 – almost exactly 10 years before Emily’s very early death – and the version detailed below appears to be most commonly known version of the poem. However I seem to have saved on my computer a slightly different and somewhat darker version – given that, amongst other slight variations in language (and an additional stanza) it replaces the line ‘Restraint and heavy task recoil’ with ‘I hear my dungeon bars recoil’. Given Emily’s most famous literary work, a capability for darkness was obviously apparent in her writing. Yet a more positive, if not completely light, tone is called for to correspond to that ‘holiday’ feeling.
A Little While
A little while, a little while,
The weary task is put away,
And I can sing and I can smile,
Alike, while I have holiday.
Where wilt thou go, my harassed heart–
What thought, what scene invites thee now
What spot, or near or far apart,
Has rest for thee, my weary brow?
There is a spot, ‘mid barren hills,
Where winter howls, and driving rain;
But, if the dreary tempest chills,
There is a light that warms again.
The house is old, the trees are bare,
Moonless above bends twilight’s dome;
But what on earth is half so dear–
So longed for–as the hearth of home?
The mute bird sitting on the stone,
The dank moss dripping from the wall,
The thorn-trees gaunt, the walks o’ergrown,
I love them–how I love them all!
Still, as I mused, the naked room,
The alien firelight died away;
And from the midst of cheerless gloom,
I passed to bright, unclouded day.
A little and a lone green lane
That opened on a common wide;
A distant, dreamy, dim blue chain
Of mountains circling every side.
A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dream-like charm,
Wild moor-sheep feeding everywhere.
That was the scene, I knew it well;
I knew the turfy pathway’s sweep,
That, winding o’er each billowy swell,
Marked out the tracks of wandering sheep.
Could I have lingered but an hour,
It well had paid a week of toil;
But Truth has banished Fancy’s power:
Restraint and heavy task recoil.
Even as I stood with raptured eye,
Absorbed in bliss so deep and dear,
My hour of rest had fleeted by,
And back came labour, bondage, care.
Emily Bronte (1818-1848)
Parting is such sweet sorrow
It’s not often that I feel the need just to post a photograph up but I think you’ll agree that this one of MCT’s Romeo (Danyel Roberts) and Juliet (Helen Webster) is rather special…
(c) Merseyside Fire and Rescue Service
Opening Night Success!
It’s the morning after the opening night of Romeo and Juliet at the Fire Station, and the cast and crew are revelling in what was a truly spectacular – and very professional – performance of Shakespeare’s greatest love story, brought up to date and back to life by thirty-one Liverpudlian cast members.
The remarkable transformation of Croxteth Fire Station into ‘fair Verona’ – market stalls littered with fairy lights and scary costumes (I won’t spoil the surprise for those yet to see it and say why!) - greeted the audience on arrival. After a very slight delay (what opening night goes without its minor technical hitches?) everyone found their seats and the show began in a flurry of activity which introduced them to Romeo (Danyel Roberts), Juliet (Helen Webster), and all of the other characters who were to entertain them for the next two hours.
Romeo and Juliet at the Fire Station is a promenade performance, so as well as being outdoors the audience were asked to follow the action as it moved around the set: from the market scene, to ‘Capulet’s Cappucinos’ coffee shop, Juliet’s bedroom and Friar Lawrence’s cell. Each (OK, well, most) of the movements were smooth and efficient, and with characters running through the audience at points it certainly felt like everyone watching was part of the action.
Though the entire cast put on a great show the highlights have got to be Mico Simonde and Philip McGuiness, who stole the show with their portrayal of Benvolio and Mercutio – although the decision to involve a couple of Fire Engines (again, no clues as to why!) in the action was another show-stopper, adding to the fantastic atmosphere that came from watching a production take place on a working Fire Station.
All in all it was a funny, moving, and generally outstanding performance, of which all involved should be justifiably proud.
Romeo and Juliet at the Fire Station will be performed tonight at 7.30pm, and tomorrow (Saturday 28th) at 2.30pm and 7.30pm.
Director’s Fitness Diary
Having signed up for the team challenge 5k in aid of Our Read I’ve been extending my usual 15 minute dog walks (it’s not just my laziness/busyness : he’s old) with the aid of an app called Couch to 5K and other fitness equipment (pictured).


I’m planning to walk the 5k but throwing in hopeless, small, breathless intermittent bouts of running. Years of utterly committed youthful smoking (Samson Rollies – yurgh. If only I’d been so devoted to other things – tennis, swimming!) mean I have no lung capacity. And besides that I am three stone overweight. So I’m not willing or able to go flat out.
But I did my first full 5 k on Monday in about 59 mins (it’s approx because I forget to check the time before I set off).
You can see my full route here (it’s actually 6k, as I thought that would make it seem easier on the day. Is that bad psychology? It’s how I trained for my finals, PhD and giving birth, the only other strenuous things I’ve ever done).
I’m going to post my training times here for all to see in order to shame myself into keeping going.
Would you encourage me by sponsoring Our Read 5k here, and by sending me ideas for great training tunes for my iPod? And something to read when I wake up at 4.30 am feeling I want to run now.
Jane’s training playlist:
Setting off:
The Wailers – Stir It Up
Patti Smith – Redondo
Pretenders – Brass in Pocket
Speeding up:
Stevie Wonder – Superstition
David Lindley – Mercury Blues
Breaking a sweat:
Chuck Berry – Johhny B Goode,
Bruce with Born To Run
Keeping going:
Vince Clarke Club Mix – Issues
Cooling down:
Mavis Staples – Turn Me Round
The Wailers – No Woman No Cry
But I need more things good to keep going with please – answers, tips, and recommended reading for people in training to the blog please.
Keep me going!
It’s all firing up…
All this talk for months and now, the day is finally here, the first of Merseyside Community Theatre’s shows of Romeo and Juliet at Croxteth Fire Station. I’ve been up there this morning and the station has been utterly transformed – there are a lot of rather bemused looking firefighters walking around the place. This morning we’ve had film crews and photographers up there interviewing the cast and crew, people from TRO and the fire service, the setting, the rehearsals – it’s getting a lot of attention.
The only thing to say now is, please rain, go away! (I have it on good authority that the weather will be good this evening – quite when the Director of The Reader Organisation became a meteorologist, and a dependable one at that, I don’t know, but I’m trusting her…)
It’s all sold out for tonight but there are still tickets available for tomorrow and Friday – just come along, or visit the MCT site to find out how to book.

















