Archive for April, 2009

Published by Jen on 30 Apr 2009

Vital Vocabulary

Today sees the publication of the final report of Sir Jim Rose’s Independent Review of the Primary Curriculum.

In this report, Sir Jim Rose identifies that the language aquisition of children entering primary education needs to be addressed. It’s shocking: children from deprived socio-economic backgrounds arrive at school with a vocabulary of around 500 words (and often are unable to string a sentence together), which compared to the 6,000 words that children from more affluent backgrounds come with, elucidates the magnitude of the problem. We don’t know yet how this issue will be addressed but it is hoped that Sir Jim Rose’s report will lead to some action being taken by the government.

We need to work out a stratgegy to enable children to aquire the language they need in order to express themsleves and to understand difficult and complex issues and challenges. Through our outreach work with  Get Into Reading and Liverpool Reads, we have learnt that not only reading and not only reading aloud but  reading more challenging books aloud with children (and adults) not only increases their vocabulary and therefore improves literacy but it also gives them an emotional language – a way to express themselves.  If this is not done, if children are unable to learn this vital vocabulary, then it will be only their feet they use and not their minds: the book will be booted out.

Published by Jen on 30 Apr 2009

Writing on the Wall Festival

This year’s Writing on the Wall (Wow) Festival is about to leap into action. Here is information about the first two fantastic events:

Saturday 2nd May, 7.30pm

The Peña – Festival Launch Featuring Omar Puente and Cubania

Studio 2, Parr Street Studios, 33-45 Parr Street, Liverpool, L1 4JN
Entrance £4.00/£2.00 in advance, or on the door.

Únanse para el Peña del forastero or join us for the Peña of the outsider – an informal Chilean style gathering where all can express themselves through song, rhyme, prose, comedy or dance. In the 50th anniversary of the Cuban Revolution, WoW celebrates all things South American and Cuban, and the great movements of the people. Music is provided by Cubania, featuring Cuban jazz violinist Omar Puente. Challenging your feet to stay still, Cubania bring the humour of the Caribbean, the hot passion of Latin America and the cool style of Europe.

Come and take the mic along with our host, C Zero (Curtis Watt), and special guests John Graham Davies (Beating Berlusconi), Dave Evans (Portrait of a Playboy), Ade Jackson (latenight sistersongs), Kath McKay (Waiting for the Morning), Jenny Newman (Going in, Life Class), Janette Stowell (The Midnight Horror Tree) and Helen Walsh (Once Upon a Time in England). Chilean food will be served.

For more info about the fantastic Omar Puente click here.

Tuesday 5th May, 6.30pm

Chameleons and Shape Shifters
With José Eduardo Agualusa and Pauline Melville

Hannah’s Bar, 2 Leece St, Liverpool, L1 2TR
Entry £4.00/£2.00 on the door

José Eduardo Agualusa, joining us from Lisbon, is one of the leading literary voices from Angola writing in the Portuguese language today. The Book of Chameleons won the Independent Foreign Fiction Prize 2007. His 2008 novel, My Father’s Wives, has been long-listed for the Independent Foreign Fiction Prize. Arcadia will publish his latest novel, Rainy Season, this month.

Pauline Melville is the award winning Guyanese/British author of Shape-Shifter and The Ventriloquist’s Tale. Her most recent collection of short stories The Migration of Ghosts was chosen by the New York Public Library as one of the best twenty-five books published in 1998.

The authors shortlisted for the annual Edge Hill University Short Story Prize will be announced at this event. The prize is co-sponsored by Blackwell bookshop.

The WoW festival runs throughout May and features Billy Bragg, Anne Enright, Steve Bell and many more outstanding artists. For full details of the WoW Festival visit their website or call 0151 703 0020

Published by Jen on 29 Apr 2009

New Horizons for Get Into Reading

Our ‘Get Into Reading’ project has been singled-out by the Government as an example of best practice in helping improve public mental health and wellbeing.

The Department of Health presents ‘a new vision for mental health and wellbeing’.

‘New Horizons’ is a new strategy that will promote good mental health and well-being, whilst improving services for people who have mental health problems. In devising this strategy, the Department of Health has recognised that there are services already in place, which aren’t normally considered as mental health services, but which could help promote public mental health and wellbeing and prevent future problems. The Reader Organisation’s pioneering social outreach project Get Into Reading was named as a specific example.

Jane Davis, Director, The Reader Organisation:

‘We’re delighted to have been named as an example of good practice by the Department of Health. Get Into Reading is inclusive, creative and cost-effective. We bring great books to more than 500 people each week here on Merseyside. Through our Read to Lead training, we’re helping to spread ‘shared reading’ across the UK and beyond.’

The ‘New Horizons’ strategy can be seen on the Department of Health’s website.

— — —

Tonight’s your chance to listen to a repeat of Roger Phillips interview with Founder and Director of The Reader Organisation, Jane Davis,  on BBC Radio Merseyside. Tune in at 9pm to find out how The Reader Organisation came to be.

Published by Jen on 29 Apr 2009

The Seal Cub Clubbing Club

The Seal Cub Clubbing Club

The Seal Cub Clubbing Club

The sun came out (eventually) for The Seal Cub Clubbing Club’s album launch at Rockscape on Saturday afternoon, which was good news for the audience in this open-air amphitheatre. Before it began, I was stood outside, propping-up the blackboard advertising the event rallying some passers by to come in (fairly unsuccessful) but as soon as the band began playing, the place began to fill. Intrigue often gets the better of people and in this case, people were very obviously impressed. Many of them stayed for the whole afternoon to listen to the band’s innovative surreal pop sound interspersed with some readings by lead singer Nik (that were accompanied wonderful sythnesised background music and gentle guitar strums) and by the special guest authors, Frank Cottrell Boyce (who read a fantastic short story about aliens, the Pope and the Bisto gravy advert jingle!), Ramsey Campbell and Zoe Lambert.

Frank Cottrell Boyce

Frank Cottrell Boyce

The Seal Cub Clubbing Club set out to create their own mini-festival of music and literature and succeded in their mission: it was a unique and eclectic event; the audience were relaxed, listening to the songs and readings, eating their picnincs and drinking beer; and in true festival style, there was even a spot of rain.

The amphitheatre festival goers

The amphitheatre festival goers

Published by Mark on 28 Apr 2009

And When Did You Last See Your Father?

As part of its Great Adaptations Season, Film 4 is showing And When Did You Last See Your Father?, the film based on Blake Morrison’s memoirs of the same name, starring Jim Broadbent and Colin Firth, tomorrow evening (Wednesday 29th) at 11.50pm. Yes, that is rather late. But it’s well worth a watch – and a read, of course – so either brew yourself some strong coffee or, if such things still exist, set the video.

Published by Jen on 28 Apr 2009

Hallgarth Reading Group

As part of the Get Into Reading project, James Freeley has set up  Durham Readers Together. He writes to tell us about a new group of poetry judges.

In March 2008, our cooperation with the teen poetry group in the Clayport Library in Durham resulted in our initial Hallgarth Poetry Award. The entrants submitted their work for judging by, yes, senior residents of my Poetry Reading Group at Hallgarth Care Home.

They were meticulous in their criteria and a winner was declared. The presentation was in the Clayport Library on 16th April, followed by another event in Hallgarth Care Home.

Caitriona and judges

The award was handed over by our oldest member, Edith Higgins from her wheelchair . The winner is 14 years old , Catriona Ryan who will have a shining future in poetry. Congratulations!

Visit James’ Durham Readers Together blog.

Published by Mark on 27 Apr 2009

Featured Poem: ‘The Old Vicarage, Grantchester’ by Rupert Brooke

As you’re no doubt aware, last Thursday, as well as being St. George’s Day, was a day of literary anniversaries. One of them was the death of Rupert Brooke (1887 – 1915). So this week’s poem is ‘The Old Vicarage, Grantchester’, written in 1912 while Brooke was in Germany and thinking – with almost delirious nostalgia – of home.

Best known for the patriotic sonnet ‘The Soldier’ (“If I should die, think only this of me”), Brooke had lived at Grantchester’s Old Vicarage, Cambridgeshire, a few years earlier – and would die just a few years later, on 23rd April 1915, from an infected mosquito bite, while sailing to Gallipoli as part of the British Mediterranean Expeditionary Force.

But his poem recalls an England, or at least some corner of it, that can never die; because it never really existed, except in the imagination. Which means we can go there whenever we like: we can “lie/Day long and watch the Cambridge sky,/And, flower-lulled in sleepy grass,/Hear the cool lapse of hours pass,/Until the centuries blend and blur”…

The Old Vicarage, Grantchester

(Café des Westens, Berlin, May 1912)

Just now the lilac is in bloom,
All before my little room;
And in my flower-beds, I think,
Smile the carnation and the pink;
And down the borders, well I know,
The poppy and the pansy blow. . .
Oh! there the chestnuts, summer through,
Beside the river make for you
A tunnel of green gloom, and sleep
Deeply above; and green and deep
The stream mysterious glides beneath,
Green as a dream and deep as death.
— Oh, damn! I know it! and I know
How the May fields all golden show,
And when the day is young and sweet,
Gild gloriously the bare feet
That run to bathe. . .Du lieber Gott! (1)

Here am I, sweating, sick, and hot,
And there the shadowed waters fresh
Lean up to embrace the naked flesh.
Temperamentvoll (2) German Jews
Drink beer around; — and there the dews
Are soft beneath a morn of gold.
Here tulips bloom as they are told;
Unkempt about those hedges blows
An English unofficial rose;
And there the unregulated sun
Slopes down to rest when day is done,
And wakes a vague unpunctual star,
A slippered Hesper; and there are
Meads towards Haslingfield and Coton
Where das Betreten’s not verboten. (3)

eithe genoimen (4) . . . would I were
In Grantchester, in Grantchester! —
Some, it may be, can get in touch
With Nature there, or Earth, or such.
And clever modern men have seen
A Faun a-peeping through the green,
And felt the Classics were not dead,
To glimpse a Naiad’s reedy head,
Or hear the Goat-foot piping low: . . .
But these are things I do not know.
I only know that you may lie
Day long and watch the Cambridge sky,
And, flower-lulled in sleepy grass,
Hear the cool lapse of hours pass,
Until the centuries blend and blur
In Grantchester, in Grantchester. . .
Still in the dawnlit waters cool
His ghostly Lordship swims his pool,
And tries the strokes, essays the tricks,
Long learnt on Hellespont, or Styx.
Dan Chaucer hears his river still
Chatter beneath a phantom mill.
Tennyson notes, with studious eye,
How Cambridge waters hurry by . . .
And in that garden, black and white,
Creep whispers through the grass all night;
And spectral dance, before the dawn,
A hundred Vicars down the lawn;
Curates, long dust, will come and go
On lissom, clerical, printless toe;
And oft between the boughs is seen
The sly shade of a Rural Dean . . .
Till, at a shiver in the skies,
Vanishing with Satanic cries,
The prim ecclesiastic rout
Leaves but a startled sleeper-out,
Grey heavens, the first bird’s drowsy calls,
The falling house that never falls.

God! I will pack, and take a train,
And get me to England once again!
For England’s the one land, I know,
Where men with Splendid Hearts may go;
And Cambridgeshire, of all England,
The shire for Men who Understand;
And of that district I prefer
The lovely hamlet Grantchester.
For Cambridge people rarely smile,
Being urban, squat, and packed with guile;
And Royston men in the far South
Are black and fierce and strange of mouth;
At Over they fling oaths at one,
And worse than oaths at Trumpington,
And Ditton girls are mean and dirty,
And there’s none in Harston under thirty,
And folks in Shelford and those parts
Have twisted lips and twisted hearts,
And Barton men make Cockney rhymes,
And Coton’s full of nameless crimes,
And things are done you’d not believe
At Madingley on Christmas Eve.
Strong men have run for miles and miles,
When one from Cherry Hinton smiles;
Strong men have blanched, and shot their wives,
Rather than send them to St Ives;
Strong men have cried like babes, bydam,
To hear what happened at Babraham.
But Grantchester! ah, Grantchester!
There’s peace and holy quiet there,
Great clouds along pacific skies,
And men and women with straight eyes,
Lithe children lovelier than a dream,
A bosky wood, a slumbrous stream,
And little kindly winds that creep
Round twilight corners, half asleep.
In Grantchester their skins are white;
They bathe by day, they bathe by night;
The women there do all they ought;
The men observe the Rules of Thought.
They love the Good; they worship Truth;
They laugh uproariously in youth;
(And when they get to feeling old,
They up and shoot themselves, I’m told) . . .

Ah God! to see the branches stir
Across the moon at Grantchester!
To smell the thrilling-sweet and rotten
Unforgettable, unforgotten
River-smell, and hear the breeze
Sobbing in the little trees.
Say, do the elm-clumps greatly stand
Still guardians of that holy land?
The chestnuts shade, in reverend dream,
The yet unacademic stream?
Is dawn a secret shy and cold
Anadyomene, silver-gold?
And sunset still a golden sea
From Haslingfield to Madingley?
And after, ere the night is born,
Do hares come out about the corn?
Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain? . . . oh! yet
Stands the Church clock at ten to three?
And is there honey still for tea?

Rupert Brooke, 1912

(1) Dear God!
(2) high-spirited
(3) entering is not forbidden
(4) if only I could be

Published by Jen on 25 Apr 2009

How was the The Reader Organisation born?

A radio interview with Jane Davis

Well, I never really planned anything…

Roger Phillips interviews Founder and Director of The Reader Organisation, Jane Davis,  on BBC Radio Merseyside on Sunday 26th April at 5pm (repeated on Wednesday 29th April at 9pm). Tune in to find out about how it all started…

Published by Mark on 24 Apr 2009

Nellibobs’ Friday Night no. 9 ‘Outtakes’

To complete our first Sudoku-line of nine episodes (a boxed-set, if you like), we present a compilation of previously unseen footage – or foolishness – from Mr Nellist and friends.

Hope you enjoy it. (And if you do, pass it on!)

Published by Jen on 23 Apr 2009

A Day for Celebration or Trepidation?

Today is the day William Shakespeare, the greatest poet in the English language, was born in 1564 (although he was baptised on 26th April) and it is also the day he died in 1606. Today is also marks the anniversary of the deaths of Henry Vaughan (1695), William Wordsworth (1850), Rupert Brooke (1915). There is much to be remembered today but perhaps, it’s a day to be feared by poets, as regular contibutor to The Reader magazine, Ian McMillan, writes in today’s Guardian. On top of all this, it is, of course, also St. George’s Day!

Casi Dylan, Read to Lead Training Manager selects her favourite Shakespearean sonnet to share with you.

This sonnet is one of my all-time favourite poems. What appeals to me above all is its frankness – which sometimes borders on cheekiness – its down to earth sense of a woman I can imagine as a real person, as someone who has lived and loved. There is something comforting not only in the poet’s acceptance of imperfections in a lover, but also in his love’s ability to render those imperfections ‘rare’ and true, as opposed to ‘false’ comparisons too often associated with love poetry.

My Mistress’s Eyes Are Nothing Like The Sun (Sonnet 130)

My mistress’s eyes are nothing like the sun;
Coral is far more red than her lip’s red;
If snow be white, why then her breasts are dun,
If hair be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
In some perfumes there is more delight
Than the breath with which my mistress reeks.
I love to hear her speak, yet well I know,
Music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

William Shakespeare

Next »